Mort Garson – The Wozard Of Iz: An Electronic Odyssey

  • Mort Garson – The Wozard Of Iz: An Electronic Odyssey

via Wikipedia:

“The Wozard of Iz is an electronic album written by Jacques Wilson with music composed and performed by Mort Garson. It parodies the movie The Wizard of Oz (1939), setting the characters in a stereotypical 1960s hippie mindset. Throughout the story, the main character, Dorothy, seeks out “where it’s at”. The corrupted title appeared in print as early as August 18, 1907, in The Grand Rapids Herald, in an unsigned article titled “How the Wizard of Oz Spends His Vacation,” which discussed the vacation homes and practices of author L. Frank Baum. Baum claimed that yokels would occasionally recognize him as the author of the novel, corrupting the title as they went…Contrary to popular legend, Suzi(e) Jane Hokom is not a pseudonym for Nancy Sinatra (B. Moynihan, Boots Enterprises, Inc., personal communication, June 29, 2009). She was Lee Hazlewood’s sometime girlfriend, and recorded both with him and as a solo singer.”

via Mark Allen:

“Mort Garson was a hippie-ish electronic music scientist and guru, who specialized in the more extreme possibilities of the Moog. One of his most ambitious projects was a single spoken word LP for each sign of the zodiac, set to an electronic score. He also recorded the moog album “Electronic Hair Pieces” – that one with the great cover. “The Wozard of Iz” was one of his later recordings, and was a collaboration with Jacques Wilson (who apparently wrote and conceived the project). The musical, which might have been intended to go beyond just a recorded album, is a psycho-electronic re-working of “The Wizard of Oz” that sounds like the soundtrack to the greatest LSD/freak-out/moog/synth/electronic musical that never was. This oddity is a hysterical and typical leftist/hippie commentary on the socioeconomic human condition of the average American in 1968, and uses the analogy of Dorothy taking a “trip” from Kansas for a brighter and better world where one can really be “free.” The record begins over a kooky electronic score, while a male voice (with a deep Brooklyn accent) intones: “This is the story of why Dorothy began her search for the Wonderful Wozard of Iz! Or somewhere… over… what rainbow? Our Dorothy… locked into one suburban acre of negative vibrations… boxed in with a pair of authority symbols; a hypnotized aunt, and a mesmerized uncle, who had turned life off… and turned the television set… on… and on …AND ON!!!” Then the music builds and builds as another voice commands Dorothy: “Congratulations Dorothy, you’re about to join the ranks of other famous teenage drop-outs… like Shirley Temple, Candy, and Tallulah Bankhead!” To which a synthesized male voice in the background repeats over and over: “Leave the driving to us! Leave the driving to ussssss!” …to which the voice of Dorothy makes it’s first appearance and sexily coos: “I’m out of the coffin… I’m out of the box… Kansas City isn’t where it’s at… it’s a place where people throw rocks at dreams, and the dreams shouldn’t be stoned… only the dreamer. I want to be in a place where I can see a stranger, and offer him a flower. I want that kind of power!” And that’s just in the first few minutes. The record goes on and on and on like that. Dorothy meets a bag lady “on a bus” who tries to hand her some pamphlets written by an army general from “Normalville” … but Dorothy convinces the army general to “…trade his dog tags in for love beads…” and the lady on the bus eventually gets attacked by some “free press” pamphlets, and becomes The Wicked Old Witch in protest. Dorothy eventually decides to “…find the Great Wozard of Iz… because if I find out where the Woz was, I’d find out where it’s at!” Then she gets advised by some more witches on busses to leave “Upset Strip” road in search of “the yellow green road” past the land of “surf and muscle tan” where she notes “…everyone has sunburned teeth from smiling so much.” The scarecrow she eventually meets is an excessive consumer who buys too many American gas-guzzling cars and who has substituted “things” for “zing” and decides to follow Dorothy on her quest for the Wozard who can perhaps help him “think” instead of “thing.” All the while, insanity-inducing electronic sounds bloop, swerve, echo and boom in the background. This LP is a (fractured) MASTERPIECE! The rest of the album goes all over the place… using plenty of instruments and a whole chorus of vocalists. The songs sound like they could be in ANY musical… and it’s a wonder that the production never made it anywhere past an LP recording. The voice of Dorothy is provided by sometime Lee Hazelwood vocalist/partner Suzie Jane Hokum. There are rumors that this woman is actually Nancy Sinatra (it certainly sounds like her)… but looking at some of the discussions about this album on the web… it looks like the verdict is still undecided as to whether it is her or not. It could be… or it may be just a vinyl completist nerd’s urban legend. Now I won’t say any more about this great record except that you should keep an eye peeled for it… and hear it if you can. It’s a total blast. When I first looked around the web, I found a site where some guy had uploaded every track from the album in mp3 form… and would send you a password for the mp3s if you emailed him nicely… but now I can’t seem to find it. Maybe if you search around you can find it.”

Mort Garson
The Wozard Of Iz
(A&M Records, 1968)
MediaFire DL Link

01. Prologue
02. Leave The Driving To Us [MP3]
03. Upset Strip
04. Never Follow The Yellow-Green Road
05. Thing A Ling (Sacred Crow)
06. In-Man
07. Man With The Word (Lyin’ Coward)
08. They’re Off To Find The Wozard
09. Blue Poppy
10. I’ve Been Over The Rainbow
11. Big Sur
12. Killing Of The Witch
13. Finale


  1. |

    Hi and thanks for a great blog.

    Is there any way you’d post this gem in higher audio audio quality format such as FLAC ?

    Thanks a bunch in advance.


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